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The Phronesis Foundation

Stichting Phronèsis



The Phonesis Foundation is a platform for Philosophy and the Arts. Its aim is to present, introduce, and make available different world visions, and offer an entrance to the inspiration, understanding and perceptions, the skills and the competences that have been developed and accumulated by various philosophical traditions, as well as to discover new applications and ways in which to utilize these inspirations, perceptions and skills, either in the field of social improvements, or for personal improvement and finding meaning in life.

Under philosophical traditions are understood the philosophical traditions of all cultures of this world as well as traditions that may be called 'classic' in the philosophical sense, and under which fall Aesthetics, Ethics, Logic, Ontology, Epistemology, Semiotics, Philology, Philosophical Anthropology, Philosophy of Psychology, Philosophy of Mind, and Philosophy of Sociology.

The idea is to present visions on the world, culture, and society and on who we are as human beings --visions that differ from the ones we are (often all-too inconsciously) accustomed to in our daily lives. A society needs to be aware of its values and rethink them as often as possible, because without the influx of new ideas a society putrifies and eventually dies. There are many unexplored alternative points of view that Western Philosophy has to offer that make the same thing appear in unexpected new ways and in a totally different light. This opens the way for new possibilities to explore and new ways of doing things. Such alterative visons may also be derived from other other cultures, current and historic, and other traditions that have their roots in history. One may think here of Hinduism, Hopi Mythology, Nature Religions or simply Plato's Philosophy. The ordinary may suddenly appears as something miraculous... The Phronesis Foundation tries to achieve such a proactive attitude to life through handing on different visions to a broad public or specific target audiences, such as high school students, young children or the corporate world.

In the past Stichting Phronèsis offered series of lectures, in which each philosophy was combined with other artistic impressions on the theme discussed. For example for a program on Nietzsche a pianist and female singer were invited to give their interpretation of the Nietzsche Lieder that originally were written for a tenor voice. In a program on Camus a selection of entries from Camus's Carnets, his diaries that were illustrative for the inquiry what the fundamental questions of philosophy are, and on which moment a philosopher would decide to work out his thoughts and ideas into a novel or a play instead of some philosophical tractate. The quotes from his diary were read out loud to the background murmur of an Algerian Oud player. This interlude was combined with a lecture about the question "why write novels and plays," and the reading of Camus' essay "The Myth of Sisiphus" by Luc Lutz, one of the most important actors in Holland. For a program on Diogenes of Sinope, a reading was prepaperd by one of the leading Dutch academics in Antique Philosophy, and to illustrate Diogenes the Cynic's ideas about life a short movie was made, set in the center of Rotterdam anno 2000 on a busy Saturday afternoon. The short movie, in addition to the lecture, was made in order to provoke a discussion with the viewer audience about the values we as modern 21st century world-citizens have in life, what is really important, and whether we as modern city dewellers are really all that different from a people who had philosophers in their midst who lived in wine barrels...


The short movie Diogenes in de Koopgoot

"Diogenes in de Koopgoot" literally translates as "Diogenes in the shopping-gutter," for this is the 'pet name' for the street, the Beurstraverse, that passes under the Rotterdam Coolsingel as it was given by the native Rotterdammers who like to call things simply by their name. For this movie I have done research of the antique resources on the person of Diogenes the Cynic and his philosophy, as well as of modern works about the man and his teachings such as Michel Onfray's 'Cynismes' . Out of this a script was written that comprised a selection of the numerous legends and anecdotes recorded by antique writers such as Diogenes Laertius. Shooting the movie was realized withing one day, and the script was developed in such way that it would leave room for coincidental interactions and necessary improvisations that would form the perfect illustration of the man Diogenes, and his message and philosophy. The direction of this 'no budget' movie was done by me. René Boogaard played the role of Diogenes. Crew and catering were done by Humphrey the Klerk (gaffer & gallops), Erik Hoogcarspel (catering & criticism), Simon van Dongen (drinks & driftings), Selma Lagewaardt (catering & PR campaign) and Bart Branderhorst (catering & coins). Victor Vroegindeweij did the incredibly intuitive camera work for the movie, catching some scenes that could not have made better illustration of the world seen through Diogenes' eyes. When the movie was edited voice-overs were added as to illustrate Diogenes inner dialogue that criticizes the people and their society perceived through his point of view, and as an elucidation of the major points of his philosophy.

Diogenes in the Koopgoot can be seen online by clicking the picture. As for the moment it is in Dutch and without subtitles.


Diogenes in de Koopgoot ©2000 Stichting Phronèsis




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© 2008 Ingrid van der Voort

Muses Incorporated




Muses Incorporated

Rubén Figaredo: 18 HOLM OAKS DON’T MAKE A FOREST

A shepherd without sheep mixes in with the weathered adobe walls, passes in front of the disintegrating church that teaches heaven inside its naked rib cage, with an altar full of chalked down signs and absent little virgins like the emigrated conscripts like the village romances, dying of sadness in some diocesan museum, piled up with its likes without another unction but the boredom of a lay brother who lost faith when touching what he was not supposed to. Sad.

© 2007 Ingrid van der Voort

Muses Incorporated